Thriller is a very broad genre, it is characterized by fast pacing, frequent action and a resourceful hero. However there is no specific setting for a thriller, it is such a wide genre that has diversese sun-genres from crime thrillers, spy thrillers all the way to techno thrillers, medical thrillers and even erotic thrillersThese help todivide up the genre as a whole and easily allows us to classify each specific film easily.
Thriller are films that are known to provoke intense excitement, suspense, a high level of anticipation, ultra-heightened expectation, uncertainty, anxiety, and nerve-wracking tension. Strictly speaking the genre can be defined as a film that relentlessly pursues a single-minded goal. Thriller films are meant to continually have the audience on the edge of their seats as it leads up to a nail-biting climax.
Due to some of the feelings that evoke from the thriller genre it can often get confused with a very similar horror genre. this often leads to the hybrid genres in which both types of genre are intertwined together.
History of the Thriller Genre - Alfred Hitchcock
Many people believe Alfred Hitchcock to be the acknowledged master of the thriller genre which he virtually invented,Hitchcock was also avtechnician who deftly blended sex, suspense and humor. His filmmaking career began in 1919 illustrating title cards for silent films at Paramount's Famous Players-Lasky studio in London. There he learned scripting, editing and art direction, and rose to assistant director in 1922.
An early example of Hitchcock's technical virtuosity was his creation of "subjective sound" for Blackmail(1929), his first sound film. In this story of a woman who stabs an artist to death when he tries to seduce her, Hitchcock emphasized the young woman's anxiety by gradually distorting all but one word "knife" of a neighbor's dialogue the morning after the killing. Here and in Murder! (1930), Hitchcock first made explicit the link between sex and violence.
An early example of Hitchcock's technical virtuosity was his creation of "subjective sound" for Blackmail(1929), his first sound film. In this story of a woman who stabs an artist to death when he tries to seduce her, Hitchcock emphasized the young woman's anxiety by gradually distorting all but one word "knife" of a neighbor's dialogue the morning after the killing. Here and in Murder! (1930), Hitchcock first made explicit the link between sex and violence.
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